Entry tags:
- * event,
- bloodborne: eileen the crow,
- castlevania: hector,
- death note: near,
- fe: azura,
- fe: felix hugo fraldarius,
- fe: hubert von vestra,
- ffvii: sephiroth,
- ffxiv: mira chambers,
- fgo: cu chulainn,
- fgo: scathach,
- fz: waver velvet,
- idolish7: momo,
- kh: riku,
- kh: sora,
- loz botw: zelda,
- lwa: ursula callistis,
- mdzs: jin guangyao,
- mdzs: lan xichen,
- mdzs: nie mingjue,
- monster duchess: leslie,
- p5: goro akechi,
- ssss: reynir arnason,
- the arcana: julian devorak,
- undertale: mettaton,
- voltron: lance
Event Log: June, What Lies Beneath
Down, Down, Down
The poorly-lit tunnel leads steadily downward. The way is marked by their gracious hosts to be, with arrows drawn in softly-glowing algae painting the walls so there is no mistaking which way to go; a good thing, because the deeper the party goes, the more tunnels branch off of the largest one, twisting and turning into the dark. It takes some hours to reach a familiar cavern lit with algae and glowing crystals, a herd of the velvet wormipedes idly milling about the small lake and stream that led into town in the dream. Much nicer long boats are set up and waiting to take them deeper, along with respectfully quiet Monster guards to steer them. They take a slightly different route from the dream, but before long, they reach the curtain of grayish green moss that dangles down into the water, stretched across the wide tunnel exit like a membrane. It parts on its own as the boats pass, though beware if you are infected by the Cwyld - it will not allow passage, only reach out long, tough tendrils to try and envelop you, the touch of it burning acid-bright where it is harmless for those uninfected. Past the curtain of strange moss, the cavern city opens up before them, vast and spacious, dimly lit with more algae, crystals, and softly glowing orbs of magic. It's like being plunged into an eternal twilight, somehow soft, cast in gentle colors. The boats bypass the markets this time, drifting farther down a branching stream into the city proper, to dock next to stone platforms. The winding streets and flowing canals branch out all around them with no rhyme or reason, the city sprung up around the natural layout of the caverns rather than the other way around. Buildings are carved out of tall stone spires, the windows and doors covered in fluttering silk, many of which are pulled away so that fascinated locals can peer out at the scene unfolding. The Matriarch herself comes to greet the group, ringed at the back by spear-carrying guards, all Monsters. A tall, long-limbed Arachne woman bearing battle scars and stark white hair, she looks perhaps in her 30s, and speaks with a booming, commanding voice, amplified by a charm. As she speaks, ten Wilders are released from silk rope bonds and nudged to join the Mirrorbound; they're a little roughed up, perhaps, and shaken, but none are seriously injured. A few Monsters also make the rounds, placing copper tokens in the hands of ten individuals. "Welcome, travelers! This meeting was foretold and so it has come to pass. During your stay you will be treated as our honored guests. You may come and go as you please, but we ask that you use the same tunnel you entered through; we have not yet re-secured the other entrances from Cwyld nor the tribes. I would hate for danger to befall you while you are under my care." Her smile is wide, her eight eyes bright, and her teeth are very sharp. "We have prepared temporary residences for your use. I hope you will stay for the celebrations. I look forward to meeting with some of you very soon." Notably, she does not mention the surface where from the Mirrorbound came, and those around her do not ask. |
I. The City
Mirrorbound, as guests of the Matriarch, are given nearly free run of the city, allowed to explore such locations as the marketplace, the library, the shops, the schools (the Arena for Monsters and the Academy for Witches), and the tunnels and caverns outside the protective moss barriers. The only places they (and most locals) are expressly barred from are the Matriarch's audience hall, the upper level of the library, and the guards' barracks.
Those who lost items to the burrowing hyenas at the Northern Outpost some months ago should keep an eye out: the hyenas are fairly common down here, serving the roles of pets or working dogs for Underground citizens, and a few merchants deal in more interesting goods. The missing items can be found scattered across some stalls, and the merchants will gleefully tell perusers that these things come from the surface, aren't they fascinating? Don't you want to buy? Luckily, it shouldn't be too hard to get your things back. They'll take all manner of interesting trinkets in trade. b. Library
If one has endless time, the scrolls can offer a look at life Underground: historical accounts of past Matriarchs, brave warriors and battles against nomadic tribes or hideous beasts, their history as they know it, scrolls on offensive and defensive magic for Witches, fighting techniques for Monsters, information on their unique flora and creatures that can be found outside the city, and even plenty of fiction - sword and sorcery novels all set in the tunnels and the city. It's just a bit difficult to find what, specifically, you're looking for, because if there's any kind of organization, it only makes sense to the deep-dwelling denizens. Maybe make it a team effort! You'll also need some simple translation spells, because their system of writing is quite different to the common system in Aefenglom; even then, it may not be accurate on older scrolls. c. The Guest Villa
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II. The Tunnels
Those who do much wandering may notice something going on as well; the guards stationed at each tunnel mouth can often be found talking to each other in low voices about an unknown red algae that seems to be growing on the protective moss. It can be found primarily around the lesser-used tunnels so far, starkly bright against the dull green, and this seems to be a point of concern...
b. The Wild Underground
As well, the nomad tribes roam the less-civilized tunnels and caverns. These are small bands of usually Monsters of different types in mixed groups, though some can be found dragging humans along with them. Nearly all of them are some degree of feral, and plenty bear Cwyld infections in different stages of seriousness. They don't stop to ask questions before they'll attack anyone, including each other, in hopes of robbing them blind and leaving them for dead. As vicious and quick as they are, perhaps it's no wonder they value strength in the city? |
III. Graduation Day (21st - 23rd)
Small fights are also a tried and true tradition to show off one's abilities around this time of year. It serves multiple purposes: attracting a Bondmate, establishing a place in the unspoken hierarchy of the city, and working out problems with others. Monsters are more likely to start brawls than Witches, though it isn't wholly uncommon to bear witness to two rival Witches throwing spells at each other in an alleyway over their grievances. They're more likely to be stopped, as magic can be quite destructive.
b. Exhibitions
At the Arena, a massive sunken ring with stone benches for spectators ringing the whole of it, young Monsters learn combat skills, with and without weapons, and how to harness their unique physiologies in the dangerous world of the Underground. Their yearly exhibition fights take place all through the three days of the New Year, and young Monsters battle each other til first blood to the cheers and jeers of citizens (and more importantly, Witches) come to watch. The longer the battle, the more impressive it is - and Monster Mirrorbound will have no shortage of eager opponents wanting to test their skills against the unknown. Generally, the fights result in bruises, small cuts, and little else, but rivals for the same Witch might take it farther on purpose before they're wrenched away from each other by the teachers. Meanwhile, at the Academy, the tallest stone spire building in the city, young Witches learn magic from a young age. It isn't exactly the same as magic taught at the Coven, but many concepts are similar - barriers, evocation, enchantments meant for weapons or shields, healing, most of the magic they're taught at this younger age is for combat, protection or practical purposes. They only learn more frivolous magics after graduation. Much like their Monster counterparts, they give solo or duet shows of their flashier and more impressive magical skills in the courtyard, with many citizens coming to watch and take stock of the new generation. Mirrorbound Witches may find themselves being cajoled into putting on a show of their own by curious locals wanting to know what kinds of magic are taught elsewhere. |
IV. Aefenglom - Litha (21st - 23rd)
Many of the activities from last year return, better than before, including the brothels opening up their doors (showing off all the wonderful new styles in lingerie!), collecting flowers to put under one's pillow in order to dream of future partners, and wandering the hedge mazes that have been magically constructed in certain parts of the city. Seeing off ships happens regularly as well, citizens setting floating candles into the harbor and river to wish them luck.
b. Predictive Pools
As a reminder, all sexual content should be clearly marked in comment headers, or else moved to a comm-locked log or personal inbox! Be good to each other. |
Welcome to June's Event Log, What Lies Beneath! The Underground will be open until mid-July at minimum, and possibly longer. Characters can come and go if they're willing to make the trip multiple times. As always, please direct your questions here! The NPC threads will take place here. Aaand, the Action Tracker is right here! Make sure to let us know what your characters have been up to, good and bad, by July 7th, as this will help determine how Mirrorbound-Underground relations might proceed in the future!
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[ A shrug. The words that she says... He hears them a lot now. That he is fine the way that he is. That he's complete or his own person. All of these things would have sent him into a fit when he had first arrived and for several months proceeding. ]
Anyway. I've shared enough, don't you think? Any deep, dark secrets of your own to hand out?
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[ She suggests this with a faint twitch of her lips, looking a little amused. And hoping she doesn't accidentally offend him for her little teasing poke.
Although his question catches her off guard and she pauses, eyes widening. ]
Ahh... probably a great many, to be honest. Although nothing quite like yours. What would you like to know?
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[ He does enjoy being difficult and disagreeable for the sake of it. When it suits him to, anyway. Besides... It takes a little more effort than that to actually offend him. ]
First of all, let's start out easy. Who are you?
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Yona. [ Had she forgotten to introduce herself? Oops. ] A witch, still somewhat newly arrived here. Before that... I was a princess, once. But that was a long time ago now. [ Maybe not so long as it sounds, but so much had happened since those days, making it feel like an eon ago to her. ] And I suppose I've been a great many things since then...
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A princess, but one no longer? ]
Once a princess?
[ Consider Vanitas interested. He'd never been sent on a princess mission, mind. Yet they still seem to be important things. ]
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...Someone I trusted overthrew my father's rule for his crown, and his power. Cut him down in cold blood. I had to flee into exile to survive. So my current status in the grand scheme of things is a little... muddled.
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You look pretty good for a princess in exile.
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I've been here long enough now that I've been quite comfortable since my arrival. Besides, I had very loyal - and thorough - companions watching over me, even in exile. They did their best to see that I came to little harm.
[ Where they could, anyway. There were some things even her beloved dragons and Hak could not protect her from. ]
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[ So the little girl hadn't ever really been alone. Why is it that so many cast outs get to have people close by, huh? What makes them so special?
What makes him one of the exceptions.]I suppose being alive is the most important thing in the end.
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And all but one of those companions were ones she had to seek out and win over on her own merit.
Not Hak, though. Fortunately for her. She never would have made it out of the palace that night, were it not for him. She'd been in too much shock, too much pain. Even then, it had taken her days to come back to herself after the depth of Soo-Won's betrayal. The grief over the loss of her father. Had he not been there to watch over her... Yona would be dead a hundred times over by now. The only reason she'd survived long enough to flourish in her hiding was because he'd been at her side, watching over her.
But Vanitas is not wrong as she ducks her head, her thoughts distant for a long moment. ]
It's one of the most important. But so is how you stay alive.
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No, it's not. You've had to manage a rough life for how long? A relatively short period of time compared to your entire lifespan, I'd think.
[ Don't judge what you don't know. ]
There are people who have had nothing but survival on their minds for the entirety of their life. At that point the how doesn't matter at all.
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[ Her tone is serious even as she meets his gaze.
Her own time needing those survival skills may have been brief in comparison to many, but she'd learned most of them from someone who'd needed those skills all his life, from the time he was a young child. She remembers all too well Yoon's past. How he'd grown up, what he'd had to do to survive. She knows what had shaped him, and had taken those experiences to heart - even if she had not shared in them. ]
Do they also not have lines they wouldn't cross? Desperation and need are hard motivators, true, and options are scarce at the best of times. but that doesn't mean your humanity has to be sacrificed for it - or should be.
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Not if you weren't human in the first place. When you've reached that point, where you don't have lines that you won't cross, what does preconceived notions like humanity and morality matter?
[ There wasn't a like that Vanitas wouldn't cross, at one point, to be able to get what he wants. The implications of what he's done to himself, over and over again, is proof enough of that. ]
But if you're comfortable in your ill-informed opinion on the matter, I'm not going to try to convince you otherwise.
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I suppose that could be an exception, yes. I must admit, my experience with anyone not originally human is limited at best. 'Humanity' was a poor choice of words.
[ She pauses, selecting her words carefully, because she doesn't want to come across as offensive here. ] Are you saying that because you weren't human, you never had that sense of right and wrong at the start?
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I wasn't given opportunity to consider right and wrong. That, as always, is also dependent of perspective.
[ He looks at the scroll again, huffing. ]
Who cares about things like right and wrong when your very existence is in question.
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[ Which is still all sorts of confusing to contemplate, if she's honest. She suspects he might not have been given the opportunity to consider a lot of things, in that case. But that's also not a situation she expects many others have ever experienced. ]
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[ Vanitas snorts. This time it is a recipe for a carrot cake. Maybe he should make it for Sora? ]
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Were there others, in your lands, who endured such a fate? Coming into being as you did?
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[ That anyone knows of anyway. Maybe that's what gave Xehanort the idea to kind of put fragments of himself into others. ]
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[ She looks troubled by that thought. She can't imagine how difficult that must have been for him. ]
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That better not be some sort of pity that you're feeling right now.
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How could I pity you, when you've conquered the hardships you had to face, and emerged stronger on the other side for them? But that doesn't mean I can't feel sorrow that you had to endure it alone. Or wish that there had been someone there to have your back, when you needed them.
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[ He hasn't quite heard it put that way before. Vanitas sure doesn't know how to take it either. Rubbing the back of his neck, there's a little scoff. ]
It's all in the past now anyway.
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That doesn't mean it doesn't still haunt us. The past is there for us to learn from it. Otherwise, we risk repeating the same mistakes we've made.
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[ There's a silent scoff on Van's end of things. ]
I don't see what I've had to do as a mistake. There's really nothing about that particular situation that I would change how I handled it.
[ Not that there had been any other options anyway. ]
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