Who: Asura + Plotted CR
When: Late January - Early February
Where: Rescue basecamp, Asura's shared home, and likely the steps of Parliament.
What: Wrath, dumb jokes, politics, and a lot of h/c.
Warnings: Strong descriptions of injury, mentions of torture (re: event) and slavery.

no subject
She's captured, and his hands are still as large, still as capable of holding her to him, even if it feels more like a child holding a teddy bear then Asura holding his lover. She made a noise of protest-she still had things to do, ways to calm down as she tried not to tell him what it was like- since he would likely smell the lie, no matter who smooth the delivery.
And he looks so pleased with himself, with his goofy half asleep smile.]
You dork.
[Not like he could do anything remotely sensuous right then. And he had to point out what a tell her hands were too...which of course she disliked, and of course he would notice. Even when it tried to appease her with a kiss.]
...You know I can't leave you. But you know...
[She pulled him, gently, so he could rest against her chest, boney as it would be compared to Persephone's bounty.]
They shake when I'm angry too.
[A kiss will come at another time. When it is less likely that he'd clip his teeth against her chin, when they can kiss and know they're safe. They're home.]
no subject
Maybe Sokie doesn't know it, how resilient he is. And perhaps that's why, for all that she's embraced him (cared for him, given her magic to him), she has put distance (vulnerable, she'd called him, dismissing his words) between them too. Were he not so drained (from a simple shower and bath, from cleaning away grime, blood, and dirt), his temper might have flared at the realization, but as it is, he only seeks out more of her. To be closer still. It is after he threads one of his legs between his own that he finally seems satisfied with the proximity they share, steadied by the intimacy of being so intertwined with another.
("You know I can't leave you.") ]
...wouldn't call it just shaking. [ —he huffs, eyes falling closed despite himself. And yet, he still stubbornly speaks, clinging to consciousness: ] More like the anger turns your hands to weapons. The shaking is your restraint.
[ He'd tasted as much, when he'd devoured her wrath; noticed it, in the moments before she'd asked him to deplete her of the volatile emotion. ]
And you... you're my gravity. [ Hmm? Gravity? Does Asura really know what he's saying? Turns out that he does: ] Felt the pull of your magic, when I was asleep all those days. Helped me to wake up. To know what was real, and what wasn't.
no subject
You know, Everett would argue I have no restraint.
[And yet...she did restrain herself when she needed to. The Foggy City and how she made sure she was on the rescue team, not the assault team, were signs of it. Things that Asura obviously knew. Sokie was used to compromise and not getting everything she wanted.
Though...Gravity? The pull of her magic....she hadn't realized he could feel it, passed out as he was. And now she was stuck, and she'd have to shove him away if she really needed to pee. Well...guess she would have to stretch herself to read some magic documents while he napped.
Gently, she brushed his hair away from his face, so he wouldn't accidentally inhale it.]
I'd argue I was an anchor. But it doesn't really matter. Rest now. You can check in with the others when you wake up.
[What others? Oh, just a few dragons, one of them possibly being licky dragon.]
no subject
—let's go, in the present, folding to the surety of Sokie's embrace even as it dawns upon him that this is what being vulnerable truly is: the ability to entrust yourself completely to another person, without hesitation or fear. But for Asura, there is no time to dwell upon this thought, a deep, dreamless sleep claiming him before long, though...
As it turns out, he does have some clue how to do it. Being vulnerable, being weak, he can be both when he's with her, and maybe that's what she'd been trying to tell him all along. It's just too bad he isn't awake to call her out on it. ]