Entry tags:
[open] december catch-all | u better watch out
1 | COLD WEATHER, WARM COMPANY
[When it comes to his artistry, Andersen enjoys drawing attention. He's a natural at being obnoxious and persistent, both traits that've helped him get his foot in the door when he'd still been alive. But for the smaller, mundane things - like say, helping a soup kitchen - Andersen prefers to keep quiet. Art is meant to be shown off. The little joys of life are best enjoyed as they come.
He helps distribute soup and in cleaning up. He's dressed in plainclothes versus his usual flashy attire, complete with a hat to better disguise his features. But as he moves onto the next table, he finds himself in a bit of a pickle. His cart's broken down. How's he supposed to haul all these dirty dishes away? Andersen puts his hands on his hips and sighs.]
... God still thumbs his nose at me, I see.
[Oh, Andersen. Dramatic as always.]
2 | OUT OF THE CITY
[Andersen can offer two things: medical aid and entertainment.
(a) His medical knowledge is limited to magical means and the most he can do is to heal surface wounds and to ease pain. Anything more serious will have to go to better-versed healers. He's a fussy practitioner, one who grumbles as he handles his patients with attentive care:]
How long have you been hobbling on this? With the way it looks, I'm surprised it hasn't been worn into a stump! Do you think you can power through illness? Moron.
[For all his bark, Andersen is ultimately kind. He demonstrates this when a child in line begins to tear up at the thought of getting a shot. It isn't his problem - hell, he isn't even going to see the kid, that's for whoever's giving out the shot - but he speaks to her in a warm and gentle way.]
That's it now, wipe those tears away. When it's done, come show me your bandage and I'll reward your bravery.
[(b) His entertainment is storytelling, of course. He spins tales about giants and trolls; about peasant children who discover their inner potential; the tragedies of common household objects. Andersen is in his element, especially with the old spinters, who enjoy trading stories with him. It's quite a sight to see what looks like a chubby-cheeked 10-year-old being fawned by a gaggle of grandmothers. When he's done, he retires with his own little bottle of scotch.
But every now and then, he'll sing. He does it when he thinks no one is listening, his voice clear and sweet:]
Jeg hørte orgelets brusen
og vidste min ven var nær.
Først nu forstod jeg rigtig,
hvad kærlighed er værd.
Men knapt et år derefter
drog vennen bort fra mig.
Jeg så ham aldrig siden,
thi søbølgen blev hans grav.
3 | GOOD TIDINGS WE BRING
[When the night is at its darkest, Andersen goes out for a walk. His breath trails from his mouth like mist, and he seems rather pensive. He soon arrives at the grand Bright Wall, its presence a shimmering white stroke. Its light illuminates some of the crouching forest beyond, throwing the greenery into sharp relief like a Baroque painting.
Andersen takes out a pack of cigarettes, courtesy of Dantes, and lights one up. It's only when he's breathed out the smoke that he notices he has company.]
Hey, have you heard of Årsgång? [With the cigarette tucked between two fingers, he gestures at the dark foliage.] They say that if you take a walk in the woods at night, you can risk your life to see the future. A fair gamble, don't you think?
[When it comes to his artistry, Andersen enjoys drawing attention. He's a natural at being obnoxious and persistent, both traits that've helped him get his foot in the door when he'd still been alive. But for the smaller, mundane things - like say, helping a soup kitchen - Andersen prefers to keep quiet. Art is meant to be shown off. The little joys of life are best enjoyed as they come.
He helps distribute soup and in cleaning up. He's dressed in plainclothes versus his usual flashy attire, complete with a hat to better disguise his features. But as he moves onto the next table, he finds himself in a bit of a pickle. His cart's broken down. How's he supposed to haul all these dirty dishes away? Andersen puts his hands on his hips and sighs.]
... God still thumbs his nose at me, I see.
[Oh, Andersen. Dramatic as always.]
2 | OUT OF THE CITY
[Andersen can offer two things: medical aid and entertainment.
(a) His medical knowledge is limited to magical means and the most he can do is to heal surface wounds and to ease pain. Anything more serious will have to go to better-versed healers. He's a fussy practitioner, one who grumbles as he handles his patients with attentive care:]
How long have you been hobbling on this? With the way it looks, I'm surprised it hasn't been worn into a stump! Do you think you can power through illness? Moron.
[For all his bark, Andersen is ultimately kind. He demonstrates this when a child in line begins to tear up at the thought of getting a shot. It isn't his problem - hell, he isn't even going to see the kid, that's for whoever's giving out the shot - but he speaks to her in a warm and gentle way.]
That's it now, wipe those tears away. When it's done, come show me your bandage and I'll reward your bravery.
[(b) His entertainment is storytelling, of course. He spins tales about giants and trolls; about peasant children who discover their inner potential; the tragedies of common household objects. Andersen is in his element, especially with the old spinters, who enjoy trading stories with him. It's quite a sight to see what looks like a chubby-cheeked 10-year-old being fawned by a gaggle of grandmothers. When he's done, he retires with his own little bottle of scotch.
But every now and then, he'll sing. He does it when he thinks no one is listening, his voice clear and sweet:]
Jeg hørte orgelets brusen
og vidste min ven var nær.
Først nu forstod jeg rigtig,
hvad kærlighed er værd.
Men knapt et år derefter
drog vennen bort fra mig.
Jeg så ham aldrig siden,
thi søbølgen blev hans grav.
3 | GOOD TIDINGS WE BRING
[When the night is at its darkest, Andersen goes out for a walk. His breath trails from his mouth like mist, and he seems rather pensive. He soon arrives at the grand Bright Wall, its presence a shimmering white stroke. Its light illuminates some of the crouching forest beyond, throwing the greenery into sharp relief like a Baroque painting.
Andersen takes out a pack of cigarettes, courtesy of Dantes, and lights one up. It's only when he's breathed out the smoke that he notices he has company.]
Hey, have you heard of Årsgång? [With the cigarette tucked between two fingers, he gestures at the dark foliage.] They say that if you take a walk in the woods at night, you can risk your life to see the future. A fair gamble, don't you think?

for enkidu.
Which is how he happens to be with Enkidu, lugging supplies in a wagon he salvaged from the back of the theater he lived in. It's much easier than carrying them on hand.]
Good grief. It's depressing around here.
[Which is to say: it reminds him a little too much of his own childhood home. But he won't say that aloud.]
7000 years later, a tag appears
Hmm...it would be truly odd if they were leaping with joy. [They glance at Andersen for a short time before something else draws their attention.] Ah!
[Now Enkidu's face turns into a more worried one.]
Wait here.
[That cat over there is horribly cold and Enkidu takes their time to fuss over it and finally scoop it up in their arms.]
im just as late ... grips ur hands.
(seems as if he's not, actually, going to wait like he's supposed to.)]
Don't tell me we're going to bring it along.
here's my new years tag
[They are carrying the small animal in their arms now, trying to keep it warm as best as they could. It is the least they can do, really.]
Let me put it inside my coat so I can help carrying the supplies. [So yes, Enkidu is taking their time to make sure the cold, wet cat is comfortable inside their coat. After a while they look up again.] It seems to have settled. How many boxes are left?
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Two. Most of them are non-essentials. Books. Toys. Small luxuries, such as mirrors. [He seems thoughtful for a moment.] Though, I can speak from experience. The soul cannot survive upon food and drink alone. There must be something extra to make a miserable existence tolerable.
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Books are quite essential. [Mirrors...not so much. When suffering from the cold they cannot imagine that the humans wish to look at their frosty faces through a mirror.] Are you sure you wish to give all of these books to them? Can I keep some for myself?
[They haven't picked up the box yet, no, they've crouched down and are actively rummaging through the books.]
Ah, this one is about animals.
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1
What are you talking about?
[He's been carrying dishes in a wash pan, which is currently about a quarter full.]
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The question is a signal to Andersen that he can go ahead and be his dramatic self. He heaves another sigh and gestures at the cart.]
Do you see this? Like an old crone, it's squeaked its last and has fallen apart on me! Look at me. Am I not weak? Am I not puny? How am I to bring all this - [here, he spreads out his arms to exaggerate the load he has] - back to the kitchen?
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Even if kids Anderson's apparent age don't...really speak like that normally.]
Probably not by overacting. Frequent trips?
[He could offer to help, but he's a little less altruistic than that.]
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I suppose it can't be helped.
[His attempt to fish for help was killed on sight. Ah, well. He hoists as many plates as he can grab before he turns on his heel to face the kid.]
You're a merciless one, making a boy slave away like this.
3
That's a fair gamble to you? Nah, no thanks. I'd rather make my own future.
[If he saw his future, he might get wrapped up in trying to change it, or feel it's inevitable and just give up.]
Have you heard that cigarettes cause lung cancer? Pretty sure every time you light one you're taking seven minutes off your life. Fair gamble, right?
[It's a bad joke, but really, Rich can't help but find it bizarre that someone's letting a kid do that.]
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It is. Maybe if I smoke enough, I'll shorten my time here.
[He shouldn't say that so cheerfully...........]
You've no interest in magical fortunes, Rich? No nagging questions about what lies ahead?
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If that's what you're aiming for, I can get why you're doing it then.
[The question just makes him shrug.]
I've had enough of fortune telling. In my world, we had a computer that could predict possible futures, and that was bad enough.
[Luckily, Rich doesn't think the SQUIP will be doing any quantum predictions for quite a while now.]
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[Easier said than done in some cases. God does he know that. But he won't assume that the computer Rich speaks of is anything like the Moon Cell.]
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[Basically, Rich and Hans may have more in common than they may have previously assumed.]
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3
But I can see how someone else might be more tempted.
[If it's even true to begin with.]
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[Even if his prompt didn't earn an expected bite, Andersen is still someone who likes to sniff out people's characters. Whoever lands in front of him is material ripe for the picking.]
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Yes, absolutely.
[With a confidence to match her statement, even.]
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[Andersen waves a hand, smoke whirling about with the motion. He seems rather cheered up by her response.]
There's a fascinating cast of characters in Aefenglom, with some taking your side and others desperately wishing to return home. As an author, it'll be great entertainment o see which path everyone heads down. This is an excellent isekai setting, in other words!
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I hope that those that want to return to their home are able to do that, one day.
[She wants to stay here. That much she knows, but would it be selfish of her to wish that those important to her also stay?]
Which one are you? Do you want to stay, or go back?
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1
Why yes, he did do that on his own. He did the ones on his ankles too, but at least those were under the proper layers. ]
Someone with the chance to learn whatever magic they could need or want, and they're complaining about being snubbed. 'God' doesn't have such a direct will.
[ He was serving soup, but mostly Judar was doing what he could while sitting. Which often meant a little bit of music, a little bit of this wrapping stuff. Other things to help lift spirits when he couldn't help fill bellies.
Though now that he's made his presence a little more obvious, it's like a subtle jab that a faun was giving Andersen magic 'lessons' back in that other month. ]
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I beg to differ. I ought to give you a biography of my past life. That'll change your mind quickly.
[Though... those bandages...]
What happened to you?
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People mix up the way fate flows with some god's will all the time.
[ Though, despite saying that, Judar knows it'd be ridiculous to accept. It doesn't matter if he met the medium/thing that creates universes. People were the way they were. ]
... Apparently turning into a faun means that there's a point where you run the risk of your legs not staying stable. Even more so around ice.
[ Well. That part's more because he was a deer-type faun. That scene in Bambi was more inspired by real life than some may think. ]
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Well, is that so! You should take a look at some shoes, Judar. Surely they tailor for fauns. It wouldn't do for my teacher to slip and slide like some laughable lamb.
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[ Yet. While the image will remain alive for as long as Judar's a faun, there's still a little bit of time until he needs shoes adjusted for fauns and their feet. The guy's still plantigrade. ]
Sometimes when using certain muscles, they... spasm, and don't exactly work for a bit. Which is more likely when you hit those ice patches and keep braced for balance.
[ Surprise, he's actually quite body-aware and knowledgeable for a mage. ... Wait. Did Andersen call him his teacher? ]
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