Jeremy Heere (
heerequeerandfulloffear) wrote in
middaeg2019-11-15 04:40 pm
fellas is it gay if you can magically read your best bros thoughts (OPEN)
Who: Rich and others
When: Morning and noonish, November 15
Where: Jeremy, Rich, and Michael's home
What: Rich and Jeremy's Bonding ceremony and celebration
Warnings: none
i. Bonding (Closed)
[Jeremy shows up at Rich's door bright and early the next morning. Despite how Rich claimed that suits weren't required, Jeremy still put together the nicest-looking thing in his wardrobe. His hair is slicked back, his skin is clearer than usual (where did he find concealer?), and he's used up a good chunk of his precious deodorant that he brought with him through the mirror.
The SQUIP had a lot of drawbacks, being an evil mind-controlling robot and all, but it taught Jeremy a valuable lesson: Jeremy cleans up good.
When Rich opens the door, Jeremy's waiting expectantly, hands behind his back and bouncing on his toes. It's clear that he's been there a while.]
You ready to go?
ii. Announcement (Open)
[To announce their Bond and to celebrate, Rich and Jeremy have opened the house up for any and everyone who wants to check it out--both quietly not mentioning how empty the space seems with Justine's recent disappearance. At Rich's suggestion, they've sent an open invitation out on the watch network to anyone who wants to drop by and offer congratulations.
Their budget isn't huge, but Jeremy's insistence on hospitality means that they've got enough finger food and drinks for people to try out. There's no alcohol.
Jeremy's still nervous even though the deed is done, so he's bustling around constantly to make sure that everything is perfectly neat, that they've got enough seats, and that nobody needs a refill. In his rush, bringing a hot tray of cookies from the oven straight onto a serving tray, he bumps into you. As he turns around to see who he's plowed over, he rushes to apologize. The niceties run into themselves before he even sees your face.]
Shoot--I'm sorry--thanks for coming!
iii. Wildcard (Open)
[Jeremy and Rich are both available to talk about their new bond with your character. Let me know if you want a specific situation!]
When: Morning and noonish, November 15
Where: Jeremy, Rich, and Michael's home
What: Rich and Jeremy's Bonding ceremony and celebration
Warnings: none
i. Bonding (Closed)
[Jeremy shows up at Rich's door bright and early the next morning. Despite how Rich claimed that suits weren't required, Jeremy still put together the nicest-looking thing in his wardrobe. His hair is slicked back, his skin is clearer than usual (where did he find concealer?), and he's used up a good chunk of his precious deodorant that he brought with him through the mirror.
The SQUIP had a lot of drawbacks, being an evil mind-controlling robot and all, but it taught Jeremy a valuable lesson: Jeremy cleans up good.
When Rich opens the door, Jeremy's waiting expectantly, hands behind his back and bouncing on his toes. It's clear that he's been there a while.]
You ready to go?
ii. Announcement (Open)
[To announce their Bond and to celebrate, Rich and Jeremy have opened the house up for any and everyone who wants to check it out--both quietly not mentioning how empty the space seems with Justine's recent disappearance. At Rich's suggestion, they've sent an open invitation out on the watch network to anyone who wants to drop by and offer congratulations.
Their budget isn't huge, but Jeremy's insistence on hospitality means that they've got enough finger food and drinks for people to try out. There's no alcohol.
Jeremy's still nervous even though the deed is done, so he's bustling around constantly to make sure that everything is perfectly neat, that they've got enough seats, and that nobody needs a refill. In his rush, bringing a hot tray of cookies from the oven straight onto a serving tray, he bumps into you. As he turns around to see who he's plowed over, he rushes to apologize. The niceties run into themselves before he even sees your face.]
Shoot--I'm sorry--thanks for coming!
iii. Wildcard (Open)
[Jeremy and Rich are both available to talk about their new bond with your character. Let me know if you want a specific situation!]

no subject
You're right! You're right.
[He indulgently hands over the Jeremy-puppet, readying the Rich one.]
Sounds like you're offering to show me!
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[He slips the Jeremy puppet on over his hand, and... it turns out he can not only throw his voice, but he is absurdly good at it. While his precise and resonant baritone isn't quite like Jeremy's characteristic stammer, he does a bang-up job mimicking it.]
Hi, Rich. How's it going? You look angry today. Do you want to smoke some weed until you are not angry anymore? If smoke upsets you now, I understand, because I am Jeremy. We can eat the weed, instead.
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Hey. No.
[He lowers the Rich puppet, unwilling to make a gag of it.]
No fire jokes. You weren't even there.
[Jeremy's voice is suddenly harsh and he realizes it. Apologetically, he raises the Rich puppet back up and tries to make it open its arms welcomingly, or as best an approximation as he can get, given the medium.]
Please?
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[L's shoulders crunch a little higher, and he raises the puppet up like a shield or a mask.]
I knew someone... besides Rich... who tried to kill himself that way. I don't think it's funny.
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In contrast to L's shielding, he lowers the puppet again, holding it in his hands and watching its angry face. The joking mood has vanished.]
It's not.
[He's quiet.]
I'm sorry. That's terrible.
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I've thought of every possible way it could have been prevented. Most would have resulted in my own death, or the deaths of others, and so... being sorry really doesn't help matters, at all. I can't ignore it...
[Which probably goes for Rich's incident, as well, and shouldn't be a surprise given L's apparent fixation on it. He clears his throat and imitates Jeremy again.]
Want to shoot some zombies? Pal?
no subject
Jeremy shies from confrontation, especially when he doesn't know the other person well. He backs down.]
Shooting zombies is more me and Michael's thing.
[He holds up the puppet, not bothering much with making its performance believable as he tries to imitate Rich.]
But I do kick ass on XBox, so who knows? We can set it to multiplayer.
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XBox?
[Hit Japan in 2001. L remembers it, though he hardly had that kind of time on his hands to actually play the thing.]
Yeah! That sounds, uh. Awesome. Cool... rad?
[The puppet's little hands move as though manipulating a controller, maybe a little spastically.]
Can I be Mister Chief?
no subject
You really want to play a first-person shooter, Heere? Thought you were more of a retro nerd. You don't gotta switch genres just to suck up to me.
[The Rich doll approaches Jeremy and, supernaturally hovering above Jeremy so that his arm will fit, pats him on the shoulder.
no subject
It's all good, bro! I'm down to shoot the monsters. It's on like Donkey Kong! Should we eat the weed now or wait until after they're all dead?
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I mean, we gotta let the tannins in the marijuana settle so we can get some of that rich weed flavor. What are you, a n00b?
[Jeremy's quickly abandoning his attempt at roleplaying Rich in favor of goading on L.
...Which, technically, only makes him more in character.]
no subject
[He's not familiar with the term.]
I play so many video games, and I eat so much... grass, you could call me Bessie. That weed taste is so dank and pungent.
[L has never indulged in any form of cannabis. Incidentally. Justine's potion didn't really count the same way, and certainly didn't take the unique sensory experience of weed into account.]
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[Jeremy gets out his watch and sets it to record, focusing on the Jeremy puppet alone.]
One more take for posterity's sake. From the top!
[Michael will just die.]
What were you saying about weed's umami?
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I said it tasted dank and pungent. Especially when the tannins get a chance to marinate, and then you just take a bite and get super high! I'm Jeremy Heere and reefer is totes dope!
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I'm sorry, dude, I'm corpsing, oh my god--you--I sound like an after school special! But like if the DARE program was supposed to dare you to do drugs!
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[L doesn't lower the puppet, but he sounds more intentionally like himself for the moment.]
I'm not morally opposed to drugs or anything. But I'm not usually trying to relax, so stimulants are really more my speed.
[Maybe even literally.]
That's why people sm--
[Can't say smoke.]
...aspirate a rapidly oxidizing blunt, typically. I assume.
no subject
[Yes, Jeremy still gets butterflies saying "my girlfriend," but we're moving past it.
Jeremy gives L an odd look as he keeps talking.]
That's why they smoke weed, you mean?
[He's genuinely only giving a go at translating.]
no subject
Aren't you... meant to laugh during a performance? At least if it's a comedy? Except... ah. No, if you're acting in the play, and the character is not meant to laugh but your own emotions aren't under control, I can see how that would be a problem. It makes sense; it's the logical progression from "breaking a leg", in that the facetious advice wasn't heeded and you instead figuratively "died" onstage in an undesirable and embarrassing manner, and became a corpse. That's... the intended meaning, I'm sure?
[It had damn well better be after all that effort to reason it out.]
I'm glad your girlfriend isn't actually a corpse. That would be a problem. And also sad.
[He nods, head bobbing briskly behind the puppet. He still won't say "smoke." He doesn't want to get yelled at again today for voicing anything related to fire.]
no subject
I only know that's what it's called when you laugh on accident, dude, but that all sounds right to me. My girlfriend Christine is an actor. Lots of serious roles. She's been Juliet before so it's okay if she were corpsing more literally...
In the context of the story, only, obviously. She's actually the liveliest person you'll ever meet.
no subject
He shudders, just slightly. Almost imperceptibly.]
And you don't find that overwhelming? Lively people can be... excitable, or loud, or... apt to initiate physical contact sans warning.
[It's L's way of observing that they kind of contrast each other on paper.]
no subject
[Jeremy is selective in his list of who can grab him out of the blue. Christine is the top of that list alongside Michael.]
She's loud and excitable and it's so infectious that it makes you want to go act stupid and smile about nothing and it leaves you breathless. She feels everything so much and when she's around, you can't help but feel it too. I wish you could meet her sometime.
no subject
[Jeremy's puppet is still being held in front of L's face. Maybe it's actually easier for him to talk this way, even if he's not "in-character" as Jeremy. Either that, or he's concerned about being filmed again, and just preparing for every possible way his identity could be compromised and spread around.]
If I met her it would mean that she was brought here. Is... that really something you want?
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Although... actually, maybe she'd be into it. All the magic and the other creatures and stuff. She'd probably take this place over in a day and turn it into a utopia. Maybe she'd like that more than going to an arts college.
[He bobs his Rich puppet.]
She'd probably fix all the fights here too. She kicks ass at conflict resolution 'cause she cuts right through BS but she's super empathetic. And she's really adaptable so she'd do great as a Witch or any Monster.
[Jeremy trails off, imagining Christine as different Monsters. A cute tail is mandatory.]
Can I change my answer?
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When you show your work, isn't it just a lot of changing answers on the way to the correct one? I always consider that when I'm grading things, at least.
[So much of the fragments L tells Jeremy in particular about his life just raise more questions. Perhaps he counts on Jeremy not to be perceptive or persistent enough to pursue them, giving him some sort of freedom to actually hint at honesty. Maybe that's refreshing; lies have been his defense against attack and death since as long as he can remember.]
no subject
It's not that Jeremy doesn't notice or remember the little things L says, but he doesn't always follow up on them, especially if he's not expected to.]
You must mean math. Math, you've got to show your work, which is a pain in the ass because, [he taps the base of his neck,] it's easier to get the number like a calculator shows it.
English, if you start off with a thesis statement and by the end of the paper you've changed your mind, you get a D.
[Jeremy's earnest enough to make it obvious that he speaks from experience.]
But the thesis is, Christine's great and everyone loves her and you should too, the end.
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