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hearthebell) wrote in
middaeg2019-10-25 02:20 pm
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[OPEN] The Stars, The Moon, They Have All Been Blown Out
Who: L Lawliet and YOU (some open prompts, some semi-open)
When: Octeuril 21 through the end of the month
Where: Around Geardagas
What: Waking up to find that he doesn't have permanent severe brain damage is tempered by realizing and processing that his Bonded actually does.
Warnings: References to violent events, angst, will update if necessary
A. Octeuril 21, The Cottage (Open to residents, visitors and healers)
[It's been a week since Myr's desperate attack had thrown blackout curtains over L's senses and thoughts, further complicated by the violent fundamental alteration of his Bonded. He'd received prompt healing to his head and ribs that made the overall prognosis hopeful, and has been cared for and kept comfortable enough, but the fact of the matter is that Connor woke up, and then the SQUIP, but trailing behind them, L just didn't. Frequent doses of healing magic can help, but not change, the fact that the brain is complex and fragile, and rebuilding and repairing it can take time with even skilled and careful intervention.
For seven days and nights, he's been sleeping it off, recuperating in the quiet and subtle ways that make the biggest collective difference. Eventually, the culmination amounts to "enough", and with no trigger, catalyst or warning, he sits up in bed with no memory of how he got there.
So, start from the beginning.
Who? The SQUIP. Rich. Niles, Michael, Jeremy, Connor and Justine. Myr.
What? The Bond is different. The Bond has changed. The SQUIP has changed.
Where? Just outside. There was blood on the pavement.
When? Too long ago. So much has happened.
Why? It had to be stopped.
How? Fingertips explore the tender place where a skull was broken, has begun to mend in earnest. Clear enough, somehow... with no small measure of disquietment, L understands that he should probably be a vegetable. Someone, or several someones, have been working on ensuring that he woke up with the one thing he couldn't live without intact. How long is the list of names? How many people does L theoretically owe his life to, now?]
Is someone there?
[A week in bed has him anxious to get to his feet again, but... oh, slow, it's a head rush just to put them on the floor while he remains seated. He's hungry, and though either magic or gentle attentive hands have been keeping his body free of grime, he wants to bathe badly.]
Please tell me what's happened.
[He'll settle for anyone, the first person he lays eyes on. Friend or foe, he has to know; he isn't usually the last, this way.]
B. The Coven (Open)
[Getting back to some semblance of an ordinary life means returning to old familiar habits. The things that L's grey matter remembers so well it's second nature are, quite simply, folding into the sanctuary of committed study, and while the new and far more human SQUIP needs him in ways it didn't used to, that's still overwhelming. Latching onto L as a fellow human who can guide it through this transition is a mistake; whether or not it's a birthright, L was never very good at being human. It's the reason he considered a machine safe, and now that it's distraught and tormented and volatile, all on account of its reaction to his injury.
Books and scrolls are stacked high at his side, and he's working on a new set of runes. A jeweler's magnifying lens is held against his eye as he carefully etches them into pieces of scrap metal bent into the crude shape of a ring. These are just practice goes, of course, but some of them are promising. He places them in one pile; a far larger pile of rejects is littering the floor around the legs of his chair.
He glances your way, shoulders curling, seeming to grow a touch more protective of his work. Lately, he can only assume that others want to take things from him that bring him some small semblance of happiness.]
C. The Sly Seadog- Samuin (Open)
[Then, of course, there are the things that are not familiar at all. A mind is more than just a collection of memories and compiled facts; it has to adapt and respond and arrange data into solutions, and while working in a controlled and quiet environment is one way to test that, L can't think of a better scenario than this one to put himself through his paces.
The SQUIP can't help him the way it used to. He feels, in many ways, like a child about to cross the street for the first time without holding his caretaker's hand.]
Buy me a shot of liquor.
[He's addressing you. Maybe you know each other and he genuinely feels you owe it to him; maybe you're strangers and he is just testing the baseline for any kind of natural charisma he may possess in this capacity. Either way, he's getting some looks from a few of the bar's rowdier-looking individuals, and deigns to add]
...please.
D. WILDCARD
[Don't see it? Want it? Well, COOL, in all likelihood I do too but just didn't think to include it. Write your own prompt and I'll roll with it, or hit me up on plurk at lexil or on discord at ladylazarus#2235!]
When: Octeuril 21 through the end of the month
Where: Around Geardagas
What: Waking up to find that he doesn't have permanent severe brain damage is tempered by realizing and processing that his Bonded actually does.
Warnings: References to violent events, angst, will update if necessary
A. Octeuril 21, The Cottage (Open to residents, visitors and healers)
[It's been a week since Myr's desperate attack had thrown blackout curtains over L's senses and thoughts, further complicated by the violent fundamental alteration of his Bonded. He'd received prompt healing to his head and ribs that made the overall prognosis hopeful, and has been cared for and kept comfortable enough, but the fact of the matter is that Connor woke up, and then the SQUIP, but trailing behind them, L just didn't. Frequent doses of healing magic can help, but not change, the fact that the brain is complex and fragile, and rebuilding and repairing it can take time with even skilled and careful intervention.
For seven days and nights, he's been sleeping it off, recuperating in the quiet and subtle ways that make the biggest collective difference. Eventually, the culmination amounts to "enough", and with no trigger, catalyst or warning, he sits up in bed with no memory of how he got there.
So, start from the beginning.
Who? The SQUIP. Rich. Niles, Michael, Jeremy, Connor and Justine. Myr.
What? The Bond is different. The Bond has changed. The SQUIP has changed.
Where? Just outside. There was blood on the pavement.
When? Too long ago. So much has happened.
Why? It had to be stopped.
How? Fingertips explore the tender place where a skull was broken, has begun to mend in earnest. Clear enough, somehow... with no small measure of disquietment, L understands that he should probably be a vegetable. Someone, or several someones, have been working on ensuring that he woke up with the one thing he couldn't live without intact. How long is the list of names? How many people does L theoretically owe his life to, now?]
Is someone there?
[A week in bed has him anxious to get to his feet again, but... oh, slow, it's a head rush just to put them on the floor while he remains seated. He's hungry, and though either magic or gentle attentive hands have been keeping his body free of grime, he wants to bathe badly.]
Please tell me what's happened.
[He'll settle for anyone, the first person he lays eyes on. Friend or foe, he has to know; he isn't usually the last, this way.]
B. The Coven (Open)
[Getting back to some semblance of an ordinary life means returning to old familiar habits. The things that L's grey matter remembers so well it's second nature are, quite simply, folding into the sanctuary of committed study, and while the new and far more human SQUIP needs him in ways it didn't used to, that's still overwhelming. Latching onto L as a fellow human who can guide it through this transition is a mistake; whether or not it's a birthright, L was never very good at being human. It's the reason he considered a machine safe, and now that it's distraught and tormented and volatile, all on account of its reaction to his injury.
Books and scrolls are stacked high at his side, and he's working on a new set of runes. A jeweler's magnifying lens is held against his eye as he carefully etches them into pieces of scrap metal bent into the crude shape of a ring. These are just practice goes, of course, but some of them are promising. He places them in one pile; a far larger pile of rejects is littering the floor around the legs of his chair.
He glances your way, shoulders curling, seeming to grow a touch more protective of his work. Lately, he can only assume that others want to take things from him that bring him some small semblance of happiness.]
C. The Sly Seadog- Samuin (Open)
[Then, of course, there are the things that are not familiar at all. A mind is more than just a collection of memories and compiled facts; it has to adapt and respond and arrange data into solutions, and while working in a controlled and quiet environment is one way to test that, L can't think of a better scenario than this one to put himself through his paces.
The SQUIP can't help him the way it used to. He feels, in many ways, like a child about to cross the street for the first time without holding his caretaker's hand.]
Buy me a shot of liquor.
[He's addressing you. Maybe you know each other and he genuinely feels you owe it to him; maybe you're strangers and he is just testing the baseline for any kind of natural charisma he may possess in this capacity. Either way, he's getting some looks from a few of the bar's rowdier-looking individuals, and deigns to add]
...please.
D. WILDCARD
[Don't see it? Want it? Well, COOL, in all likelihood I do too but just didn't think to include it. Write your own prompt and I'll roll with it, or hit me up on plurk at lexil or on discord at ladylazarus#2235!]
no subject
Sorry I put you in that situation.
[That one really is an olive branch, even if it's muttered and spoken to the whiskey glass more than L.
When the drinks arrive, Jeremy looks at the drinks and then at the guy whose every vibe constantly radiates creep, transparently torn on whether he should stick around or go home. Maybe he should text Rich and Michael with his location. ...They'd probably want him to leave.]
I think I'm good, actually. But thanks. I can pay you back, um, later.
no subject
[Also mumbled, and probably the closest L can actually come to giving an apology in his current form.
The drinks show up. L immediately takes one of the chocolate shots and starts nursing it in that absurdly delicate, slow fashion. The whiskey is neutral ground; the other chocolate shot is clearly intended for Jeremy, even placed near him.]
I don't need money. That's actually insulting; if I expected to be paid back, you know that I would have led with it before spending the money, don't you?
no subject
[He doesn't know why he was dumb enough to listen to the SQUIP that day, but the blood loss couldn't have helped.
L was directly saying that when he said Jeremy was broke, it was meant as an "insult." SQUIP victim or not, Jeremy didn't think he should put up with this sort of thing.]
You've obviously got enough booze here to get you by. Excuse me.
[He pushed himself off the counter. Are you allowed to take shots in a to-go cup? Jeremy doesn't know how bars work.]
no subject
[He says so dryly, almost dismissively... but quite a clear change comes over him when Jeremy appears to be preparing to actually get up and leave.]
...wait.
[He's reaching for his billfold again, putting more money on the counter in a separate pile, closer to Jeremy's shot glass.]
You can drink, or you don't have to, but if you stay here I'll pay for your time. You can start a meter, if you want.
no subject
He doesn't need the bribe--rent is free and, thanks to Justine, so are clothes and food, and if there's anything else worth spending money on Jeremy hasn't seen it. If L's desperate to keep talking to Jeremy, there's only one thing this can be about.
He pulls out his watch.]
hey. this is jeremy. at this place called the sly seadog w Creepy Guy. nothing's gonna happen but im bein safe xo
[After sending that text to Michael and Rich and, as a last second decision, Justine, Jeremy pockets the watch again.]
What questions have you got about the SQUIP?
no subject
But Jeremy isn't rejoining him for that reason, is he? L steeples his fingers after finishing off his shot perhaps more quickly than he might have desired, watching Jeremy text someone. Maybe several someones; it's too far and his vision is just a touch too blurry to make out any details.
What questions.]
Did you really never think of it as a person? Even a little bit?
no subject
At first, sure. He looks like Keanu Reeves, you know? And he seemed to be a confident, cool guy who only happened to also be a computer.
[He finally slides one of the chocolate shots over to himself.]
It's a user interface. That's all--or at least that's what it was when the SQUIP was with me. You can have as many conversations with Alexa as you want, but that doesn't mean she cares about you as a person.
[Jeremy still wakes up sometimes thinking that he's heard the SQUIP yelling its alarm-clock noise. No human can blare such ear-stabbing tones with their own mortal God-given mouth.]
no subject
Listen...
[Speaking of terrible whiskey. He reaches for the one he ordered.]
I died in 2004. The fifth of November. If it was invented after that point I probably won’t know what you’re talking about, unless the SQUIP has informed me.
no subject
Wait. Wait wait. Died like figurative poetic, or like your last day on actual Earth, or like died died? 'Cause those are really different things to throw into a conversation.
[What the hell. He takes his shot, and this time it goes down without Jeremy nearly choking to death. It's good. It doesn't even taste like alcohol. Will it still work if it doesn't feel like he's drinking booze?]
no subject
Died, as in “murdered.” I hope that’s straightforward enough, but it’s actually a pretty significant digression from my point. Did Alexa have sex with its user, or...?
no subject
Jeremy didn't know people could show up here after being dead, especially not if they could remember it, unless L's actually a zombie after all. Trying to decide if he should ask, Jeremy blinks a few times.]
Uh... No. No, it's... a tech metaphor that's pointless if you don't know what Alexa is.
[He drums his fingers on the counter, then snaps them.]
Clippy! Talking to the SQUIP is like having a really advanced Clippy in your head that won't turn off.
no subject
He rolls his eyes, taking a deeper sip of whiskey.]
Wow, that really clears everything up. Or would, except that you can't have sex with Clippy, either. Or fall in love with it, unless you're looking for a very specific kind of grammar-related pillow talk. For the sake of argument, I don't think there's actually an appropriate comparison, given how "really advanced" the SQUIP is.
no subject
You wouldn't ask to have sex with Clippy, it wouldn't offer, and anyone who tries has got issues even bigger than mine.
...When I knew the SQUIP, I mean.
[He settles back with a frown, playing with his empty glass, as he snorts.]
I bet the SQUIP's pillow talk would be, like, "In two point three seconds, move your dick thirty degrees left. Jeremy, your fantasies are inappropriate for the situation. I'm applying electrical stimulation until your thoughts are about supermodels."
no subject
[He considers, swirling the ice in his glass. Don't classy men ask for whiskey with no ice? No one told either Jeremy or L.]
"Your participles are really dangling. Do you want me to help you with that?" Or, "it looks like you're writing a cover letter, can I get under it?" Or...
[He frowns, with all the countenance of someone who is really above this but too proud of his wit to keep it to himself.]
"Wrap your ellipsis around my copular verb until I comma on your preface."
[He finishes the whiskey quickly and orders two more.]
It's sex. It's not some kind of video game. What does that even mean? "Move your dick thirty degrees left?" Is it rotation or an angle? Is it fully immersed or exposed? Are you a virgin or do you just really like to sound like one?
[He puts more cune on the bar in the "Jeremy pile." It's clear that he's treating it as a swear jar of sorts, just for insults.]
no subject
That is exactly the kind of joke that might make Christine giggle uncontrollably but it flies over Jeremy's head gracelessly.]
The SQUIP said everything was a video game.
[He slunk down in his seat, putting his hands in his pockets. He knows, objectively, L having sex with the SQUIP and sharing Clippy porn lines is way worse than Jeremy being a virgin, but it's a touchy subject for him. His face goes scarlet fast.]
If all you wants is tips on s-seducing the SQUIP, I don't have anything for you. Sorry. It sounds like yours and mine aren't even the same entity.
no subject
Well if the SQUIP used a framing device to help you understand something, it must be true. Maybe if we convert these cune to quarters and cram them in that slot in the bartender's face, we can win the grand prize of a blowjob and you'll find out what all the fuss is about.
[It's probably pretty clear that L's had too much to drink too quickly. He sighs raggedly and shoves a few more cune on the pile. His next words are muttered low.]
I really don't want to be mean to you. And seducing it isn't exactly my problem.
no subject
He's faster than he normally would be. The new pair of wings certainly help speed up the process (Rich notes that his wingspan doesn't quite seem large enough to carry him, but shrugs it off because nothing in this damn world makes sense, and he kind of wonders if it'd just piss Linden off anyways).
When he gets to the bar, tracking Jeremy down is easy, and it's a wonder he doesn't barrel in with fists raised as soon as he spots the man he's sitting next to. Instinct would dictate that was the best course of action... but Rich knows how the SQUIP worked on everyone here...
If Rich had deserved a second chance, surely Linden deserves the same. Or at least some basic human decency.
He's still nothing if not a tad overprotective of Jeremy, though, especially as he hears how crudely L is speaking, and so he moves to stand in between their chairs, pushing the money Linden had on the table back towards him.]
If you don't want to be mean, you might want to stop drinking. You sound nastier than I do.
no subject
It's not like he has an excuse. With L acting this way, it's obvious that Jeremy's made another of his infamous bad decisions despite his best efforts.]
H-hey, Rich...
[His voice is weak. He looks immediately to L, trying to figure out what kind of encounter this'll be.]
I didn't ask him to come, I promise.
no subject
He taps the counter, face tense and defiant. He asks for another whiskey, "with no ice", not knowing that classy men order it "neat." He slaps a palm onto the money, sliding it insistently back toward Jeremy.]
That's Heere's. He earned it.
[He does a double take, as if noticing Rich again, belatedly, groaning in exasperation before addressing him.]
I want you to envision two little boxes.
[He brings the blades of his hands down in two hard parallel lines on the bar top.]
There are your problems, and my problems, and now I want you to stop putting your things in my box.
no subject
He raises an eyebrow at the money being pushed back, and especially at Linden's bizarre speech. He looks back at Jeremy, who still looks intensely guilty, and shakes his head.]
Jeremy can take that money if he wants, though I don't know what exactly you were hiring him for...
[That's a question he can ask Jeremy later.]
Whatever it was, I'd rather you not recruit him again. I'm not here to cause you any problems. I just wanted to make sure Jeremy got home safe.
[His voice is shockingly level and even soft, his usual brash volume absent... and it's hard to be angry at Linden recently, anyways.]
no subject
Rich, he didn't make me do anything. He just. Um. Wanted someone to talk to, about...
[He raises his eyebrows and jerks his head in a way that doesn't indicate the SQUIP at all, but there's very little else he could mean.]
I don't think I'm doing any good here, though, so maybe it's a good idea to head home. Thanks.
[He starts to stand but only slowly, watching L's face.]
no subject
Just go, if you could? You're right... this was really stupid.
[What did he expect? The SQUIP gets it; humans, contrarily, have always been frustrating to him. There's only one human who never had that effect on him, and he finds himself missing him, now.
There's an empty barstool to his left. Maybe he could... no, he definitely could. Just because it's fake doesn't mean it wouldn't be comforting, much like the terrible whiskey in his glass.]
no subject
He has to at least realize now that he was wrong. He was just as manipulated as Rich and Jeremy had been before him. Rich wants to help him come to terms with that. Any decent human being deserves that much.
He hesitates as Jeremy gets ready to leave, long enough to hear Linden's mumbling. He winces softly and looks between the two of them.
...He's here to keep Jeremy safe, so there shouldn't be a problem.]
Hey. You should come with us. We can walk you home, so you can get there okay.
[Or maybe somewhere else, Rich is implying in his tone. He doesn't want Linden around the SQUIP, so it can try to make more excuses for treating people terribly.]
no subject
But there's gotta be a reason that Rich is offering this instead of calling L a cab (or whatever).
The better part of Jeremy wants to smile and agree and say they should all get a bite to eat and sober up and give L the benefit of the doubt, but that feels downright stupid at this point. L's got a bully mentality. That's all Jeremy knows about his personality and maybe that's enough.]
Um...
[He should say something. They're all SQUIPtims here, even if L's not necessarily reformed yet.]
...It's not everything. It's not the whole world. People aren't always as awful as it makes you think they are.
[It's out of context and weird when he says it, but what the hell--that's basically Jeremy's existence. He turns away from L. That can be a good-bye if L wants it to be.]
no subject
And these developments, while not hostile, have him very much on-edge. He was already tense, but now he very much looks as though his fight-or-flight reflex is wound tighter than a spring's coil.]
You want to walk me... home.
[He repeats it slowly, as though uncertain he heard correctly, because it doesn't track. It's broken mathematics, unless Rich wants to finish a certain job.]
I'm not ready to go home.
[At least here, there are eyewitnesses. And he has to go back to the SQUIP, wants to, even... just not yet. He'd rather be in a coma again, than go back yet.
He catches Jeremy's eye, for just a moment, before the boy turns away, and for just one unguarded, brief fraction of a second, there's something unnerving and haunted on the detective's pale face. Maybe it sounds out of context; it's both exactly the sort of thing L would wish to hear, and he wishes even more that it was true.
Yes. They are that awful. I have a thousand cases' worth of proof. Jeremy means well, though. Jeremy might actually not be awful; he's uncomplicated, isn't he? Not like L or his ilk from his world; not like the SQUIP. He couldn't possibly get it, and yet... he sounds like he approaches it.]
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