Entry tags:
(closed) did you hear the slamming door?
Who: jonas ward and plotted cr.
When: aereuer 13th.
Where: his mirror in the looking-glass house.
What: "dream a little dream (of me)" event.
Warnings: severe illness, suicide, assault, possession, nuclear disaster, drowning themes.
(jonas' oblong mirror is tall, its copper frame stained green by chemical weathering. it looks like an artifact dredged from the bowels of a sunken ship found on the bottom of the sea floor, but holds more character in its etched edges. music notesâthat form a song if you can read themâspread the length of it, weaving through jail bars, sinking down into what appears to be the grate on the front of a car, and mounting hills with faint trees. the conifers stretch with fading detail into the "sky" of the frame where they form triangular fractals.
carvings may be lacking depending on how well you know him, missing elements that refuse to paint a whole picture, or they may be clear and feel characteristically jonas; however, one thing will always remain the same despite your relationship: when you touch the surface of your reflection, something looms beyond it, looking out as you look in.
the feeling of being watched settles at the back of your neck, persisting as the prevailing mood through each and every memory no matter how simple or happy. waiting and soaking.)
When: aereuer 13th.
Where: his mirror in the looking-glass house.
What: "dream a little dream (of me)" event.
Warnings: severe illness, suicide, assault, possession, nuclear disaster, drowning themes.
(jonas' oblong mirror is tall, its copper frame stained green by chemical weathering. it looks like an artifact dredged from the bowels of a sunken ship found on the bottom of the sea floor, but holds more character in its etched edges. music notesâthat form a song if you can read themâspread the length of it, weaving through jail bars, sinking down into what appears to be the grate on the front of a car, and mounting hills with faint trees. the conifers stretch with fading detail into the "sky" of the frame where they form triangular fractals.
carvings may be lacking depending on how well you know him, missing elements that refuse to paint a whole picture, or they may be clear and feel characteristically jonas; however, one thing will always remain the same despite your relationship: when you touch the surface of your reflection, something looms beyond it, looking out as you look in.
the feeling of being watched settles at the back of your neck, persisting as the prevailing mood through each and every memory no matter how simple or happy. waiting and soaking.)

no subject
finger tighten around stiles' when he realizes a question's been asked.)
... uh, yeah. It's... it's called "Lost." (he's never realized just how applicable the title is to him now, lost in space and time thanks to these mirrors. it's like he's come full circle, averting eyes that water in a successful attempt to blink tears back. not again, when his head is already pounding.)
God, I missâ I just miss her. And my dad. Like, everything's so fucked... and I... I don't know what to do, because I can't do anything...
no subject
Hey, thatâs not true.
[ Reluctant to release their entwined hands, he instead utilizes his free one to grasp Jonasâ shoulder and give it what he hopes is an encouraging jostle. Stiles tries to catch his friendâs averted eyes. ]
Everythingâs fucked, [ he agrees, ] but youâre doing what you can to get through it. And weâre going to make something work, Jonas. Okay? Youâre not going back to that shithole. Not without a plan to get you out of it. I mean, look at whatâs possible in this place.
[ That hand slides down Jonasâ arm to his elbow, squeezing. ]
Youâre going to be alright. I promise. Youâll see your dad again.
no subject
(if it were stiles or sasuke, jonas has no doubt in his mind that they'd figure something out. but it isn't. it's him and alex, and with clarissa dead and ren ignoring warnings while chasing nona's skirt in a situation they're all liable to die in, that's not enough. it's never been enough.)
I'm not the kind of guy who... makes it to the end of the movie. You know what I'm saying? I'm not getting down on myself, or giving up, I just have no talent for that shit. (it's difficult to say, but he has to. the chances of any of this working out aren't high and they were never in his favour.) So please don't promise me something I know's not gonna' go the way everyone hopes.
You being here with me, just for now, is enough.
no subject
Youâre way more talented than you think, [ he says firmly, unwavering in his resolve. ] Either way, youâre not going to deal with it alone. Sasuke and I will help. [ A breath. ] I knowâŠsometimes itâs easier to come to terms with the end than to hold out for hope. I felt the same way, once. So I wonât harp on it. If me being here is enough, then Iâm with you, Jonas â youâve got me. Okay?
no subject
their bond has strengthened now, and jonas believes they can get throughâvirtuallyâanything. the private thoughts in his mind on the matter stay private, wiping at an eye.)
I gotta' take a breather, now that my memories are trying to sabotage me. So if you go back... just be careful, okay? There's nothing I care to hide, but you have to promise me you'll leave if anything gets... weird. (haunted, frightening, disturbing. he knows stiles and he knows they're not through, but the sunken have abilities he thought were impossible. now he's not sure what'll happen anymore.)
They're just memories. And I can share those with you anytime. You feel me...?
no subject
YeahâŠI feel you. Figuratively, [ he adds with a roguish wink, belying those words by reaching out to squeeze Jonasâ shoulder one last time. ] Iâll be around if youâŠyâknow, want to talk or just chill. When we wake up too.
[ Maybe he can try to make pancakes in the morning. Something to cheer Jonas up. Everybody fucking loves pancakes. ]
no subject
(an unnecessary ask, knowing stiles will. if he's late to rise, then jonas'll take care of it. they're always in one another's corners, even in arguments, trying to divine what's in each other's best interests. this likely isn't, letting him go alone into his mirror, but he can handle it. he has faith in him.
there's a little wave over his shoulder as he takes off, leaving stiles alone with his mirror, before the hand is relocated to the back of his neck as though he's trying to squeeze the tension out of his body.)
no subject
Stiles watches Jonas walk away, eyes tracking the path of that hand as it massages the back of a neck.
Can he ever be enough?
The mirror has no answers for him, yet Stiles looks to it all the same. After a moment of silence, he pushes through it a second time. ]
tw: violence
the butt smothers itself out in the dew, harmless; a couple of players notice, mutter about him.)
Yo, Ward. (one kid, a âcâ emblazoned on a uniform thatâs soaked through, calls to him with a short jog forwardâitâs twenty or so yards before he realizes heâs been snubbed.) Man, thatâs trash. You can chill on our field, but quit stubbing your shit out where we practice. This kindaâ thingâs why weâve got such a bad rep. Plus, yâknow, thereâs no smoking on school property.
(to jonasâ credit, he has an earbud out to listen. heâs stopped walking altogether, an innate politeness his momâs got drilled into his skull. give people the calm attention they want and theyâll back down; complaints are only complaints because the complainer think no one cares. timâs got that part right, because he couldnât give less of a fuck if he tried, but thereâs too much going on in his home life to spare him anymore time than heâs currently sparing. the advice wouldâve had a greater effect if it didnât come from a hospital bed, his memory tainted by the soft beep of machines in the background of all sheâs said these past couple of months. jonas wouldâve taken it to heart if a hand so thin he can count the fine bones hadnât been resting over his, her thumb to weak post-chemo to even brush at his knuckles.
timâs still talking and a shaky hand raises a package of smokes to replace the one heâs tossed away with another he can preoccupy himself with.) Jesus, Timmy, I got itâ (but it clatters to the ground alongside his lighter when a baseball strikes him hard in the back of the head.)
Fuck!
Oh, shitâ sorry, man, are you okay? I was seriously just trying to get your attention, I didnât think you were hearing me. (itâs clear by timâs honest panic that he didnât mean to hit him, the ball was meant to pass him and catch his eye, and itâs a mistake he immediately rushes forward to apologize for.) Thatâs totally my bad; is your head alright?
(something in jonas seems to pull taut and snap, touch falling away from the welt heâs been given. the moment takes an awful shift, seeming to warp with his memory of the day, the entire scene tunnelling. thereâs a glitch on his first step forward, an awful record scratch of reality that has him dumping his backpack on the ground, crossing metres of distance in seconds, grabbing fistfuls of timâs uniform. the first punch lands before either of them can figure out whatâs going on, so heavy and brutal it sends the boy to the ground and the first of his teammates start yelling out in alarm. it wouldâve stopped then if a hard kick to jonasâ shin didnât upset his balance and leave him little choice but to immobilize tim with a rough shove at his legsâhe drops down onto his waist with a baring of teeth and a low shout of anger at a fist that connects with his chin, rattles his jaw into a snap shut on the flesh of his bottom lip.
tim fights back, bloodies jonasâ lip and nose, but the latter is larger. he has weight on him and in this indefensible position all the baseball captain can do is try to shield his face and body from repeated blows. knuckles split and ooze red, marking up their faces. an eyeâs swollen shut, skin torn beneath the brow. an orbital bone cracks with two ribs. jonas doesnât aim, but catches tim once in the temple and heâs out; hands grab at jonasâ jacket and sweater, only to shy away when he throws his elbow out to dislodge them. despite the amount of timâs friends helping and the added presence of two teachers who were on the school groundsânow calling the police in desperate voicesâthe fight lasts long enough to become exactly what heâd been arraigned for:
itâs assault. inexcusable and intentional to every witness on the field.)
Ward! Jonah! (the teamâs coach, a large man in his early forties, manages to hook him beneath the arms, but itâs the shout so close to his ear that finally shakes him out of his fugue with a horrible gasp,) Thatâs enough outtaâ you, boy!
(itâs as though heâs only just figured out how to breathe, because all heâs able to do as heâs restrained is blink widely at the unconscious body on the ground with panicked pants. there are no words spoken to him or by him until another glitch sees beat cops from down the neighbourhoodâs block arrive at sprints. when the coach finally releases him, a towering police officer grabs him by the back of the neck and shoves him facedown into the dirt path leading away from the school grounds, barking miranda rights at the back of his head in such a seething voice that jonas wonders if they sent his father.
his lungs heave a scared sound of him, and his mouth forms quiet, shaky words no one pays any mind as heâs hauled up, dragged off, and pushed into the back of the officersâ cruiser: âplease, i just want my mom. please let me see my mom.â)
no subject
Jonas flicks the cigarette butt to the ground, an action that has Stiles wrinkling his nose in general distaste, though heâs more concerned with that distant, closed off look darkening his friendâs face. Shadows of sleepless nights haunt the bruised skin under Jonasâ eyes, something that Stiles can identify a mile away from his own experience with insomnia and night terrors. He reaches out to gently grasp the taller teen by the elbow, only to be grimly reminded that this is a memory when his hand passes through. God, he hates this. Why did he leave Jonas in the Looking-Glass House? So preoccupied, he doesnât immediately notice that people â players from the baseball team, judging by their equipment and outfits â have gathered nearby until Tim speaks up.
Despite his personal feelings on smoking and cigarettes, Stiles bristles at the criticism. Itâs a double standard, really; were Tim addressing anyone else other than a close friend, Stiles would have agreed immediately with the call out. But thatâs the nature of his friendship: blind loyalty to a fault. And so, he fixes the baseball captain with a scathing glare. Things snowball from there. ]
Look out â !
[ The warning is useless, naturally. Jonas is nailed in the back of the head by a baseball, an impact that looks like it hurt, and Stiles cringes in sympathy. Though the young man appears to be genuinely contrite, Stiles feels a rush of fury. What the hell is this asshole thinking? All over a goddamn cigarette. His righteous anger pales in comparison to the rage that grips Jonas, however. As his best friend closes the distance to Tim, Stiles almost canât recognize him; not even the night of their fight over Bonding prepares him for the violence that Jonas unleashes now. After the first blow connects, it occurs belatedly to him what heâs seeing. ââŠI hospitalized a kid in my gradeâŠwhen this kid threw a baseball at my head, I just kinda lost it.â Oh, fuck.
Someone should be here, he thinks desperately, glancing around for a third party to intervene. The baseball team watches, shell shocked, but Stiles is searching for a friendly face â the pack specifically, an unconscious impulse that he doesnât fully realize, to help control an overwhelmed beta. OnlyâŠJonas doesnât have a pack. Jonas lacks the privilege Stiles took for granted: a group of friends who can usually be counted on in moments just like this. Jonas is alone and, without an anchor in place to keep him checked, self-destructs on Tim. While heâs always had a love-hate relationship with violence â nauseated and yet fascinated by it â this is too difficult to watch. Not even Stiles can claim the baseball captain deserves to be beat like this. Sickened, he forces himself to witness what the memory has revealed to him.
He understands, of course. Stiles has been seized by rage, where all reason and sense evaporate beneath the burning coals of an anger so hot that itâll eat you alive if you donât express it somehow. Violence is an easy outlet. The sweet gratification heâd tasted, sinking his fist into Theoâs face, is unlike anything else heâs known except perhaps sex â a clichĂ© comparison, maybe, but an apt one all the same. As Jonas is marched off to the cruiser, Stiles listens to the terrified words of a boy too young for the wild, raw emotion that drove him to such uncharacteristic brutality. A possession, of a kind. Yes, Stiles understands. ]
Itâs gonna be okay, [ he tries to tell Jonas, choked up by that quiet shock bleeding the color from the other teenâs face. The door to the cruiser slams shut between them, cutting him off from his best friend. ] Jonas, itâs going to be okay.
[ But itâs a lie.
In the Looking-Glass House, Stiles stares at the puddle of water collecting at his feet from the previous memoryâs rain. His reflection is blurry, out of focus, and instead of himself he sees the expression of fear on Jonasâ face. ]
Fuck.
[ Stiles reenters the mirror a final time. ]
no subject
it ends only when clarissa's scream can be heard over the radio, far door swinging open on its own to reveal their exit.)