Entry tags:
(closed) did you hear the slamming door?
Who: jonas ward and plotted cr.
When: aereuer 13th.
Where: his mirror in the looking-glass house.
What: "dream a little dream (of me)" event.
Warnings: severe illness, suicide, assault, possession, nuclear disaster, drowning themes.
(jonas' oblong mirror is tall, its copper frame stained green by chemical weathering. it looks like an artifact dredged from the bowels of a sunken ship found on the bottom of the sea floor, but holds more character in its etched edges. music notesâthat form a song if you can read themâspread the length of it, weaving through jail bars, sinking down into what appears to be the grate on the front of a car, and mounting hills with faint trees. the conifers stretch with fading detail into the "sky" of the frame where they form triangular fractals.
carvings may be lacking depending on how well you know him, missing elements that refuse to paint a whole picture, or they may be clear and feel characteristically jonas; however, one thing will always remain the same despite your relationship: when you touch the surface of your reflection, something looms beyond it, looking out as you look in.
the feeling of being watched settles at the back of your neck, persisting as the prevailing mood through each and every memory no matter how simple or happy. waiting and soaking.)
When: aereuer 13th.
Where: his mirror in the looking-glass house.
What: "dream a little dream (of me)" event.
Warnings: severe illness, suicide, assault, possession, nuclear disaster, drowning themes.
(jonas' oblong mirror is tall, its copper frame stained green by chemical weathering. it looks like an artifact dredged from the bowels of a sunken ship found on the bottom of the sea floor, but holds more character in its etched edges. music notesâthat form a song if you can read themâspread the length of it, weaving through jail bars, sinking down into what appears to be the grate on the front of a car, and mounting hills with faint trees. the conifers stretch with fading detail into the "sky" of the frame where they form triangular fractals.
carvings may be lacking depending on how well you know him, missing elements that refuse to paint a whole picture, or they may be clear and feel characteristically jonas; however, one thing will always remain the same despite your relationship: when you touch the surface of your reflection, something looms beyond it, looking out as you look in.
the feeling of being watched settles at the back of your neck, persisting as the prevailing mood through each and every memory no matter how simple or happy. waiting and soaking.)

no subject
I think Iâve . . . [ done this beforeâ? caused this beforeâ? it all depended on perspective and wasnât anywhere close to nefarious as jonas described. or, was it? was it the same thing for a spirited presence to manipulate the actions of another until they did their bidding? was it the same as unleashing a monster? especially when the monster was only a girl locked in servitude. ] Iâm okay.
[ he truly isâ unnervingly so. any horripilation of his spines and dorsal fins have relaxed, but nothing more or less than that, a lack of apprehension in his eyes and body language. when refocused, heâs also perceptive. fear and discomfort all have distinct scents and tastes, and where theyâve come to rest is plentiful in the mix of scarce cigarette smoke. jonasâ fingers slip from his arm and eren catches the sleeve to keep it there; from the sleeve, the palm of his hand starts to the curve of his shoulder.
even if heâs unaffected, he can tell and wind understanding that this was jonasâ memory and not everyone could take remembrances with placid passing. he almost looks pale in this lighting, and generouslyâ he clatters over the first abandoned stool he could find. ]
You should sit.
no subject
even if eren doesn't appear shaken. thank god.)
I'm good, we shouldn't stay here any longer than we have to. This... this may be a memory, but I'm worried. They always seemedâ fuck, like, too close. Like they could get me no matter where I was, doing whatever I was doing. (a step brings him closer, but there's a turn of his head to look at the radio equipment.) "It's the waves," the Sunkenâthe ghostsâsaid. That lets them take control. And I don't trust this being a dream that can keep those waves... out, or whatever.
(motioning to the dash with the screen, buttons, and transceivers. it's all functional, but barely. and it's one-way, so they only connect to other stations like this around edwards islandâno calling home.)
This whole island was a military base. A school, actually, and a training facility.
no subject
[ mostly affirming the witchâs worries to at the very least be cautious. he doesnât trust doing what you want in one of these again, not after dorchacht.
islands and military bases . . . canât feel more at home than this. if jonas would rather not sit, thatâs fine as wellâ all the pulled stool needs is a kick back under the table topped with wires and radios. jonas still has erenâs stability, lighter as moments passed but present if he felt unwell enough to sway. ]
Was it abandoned because of the ghosts? [ something occurs to eren though, the grim slant in things that come rather natural when your experiences have mostly been grim: ] Or made by them?
[ heâs aware he could be wrong on both accounts, but curiosity thickens on how other worlds deal with trapped souls. ]
no subject
ghosts need to be studied more, whatever school of magic it takes. divination, necromancy, hell, anything. he needs to learn how to deal with them.)
No, all this was in place before them. And the Fort on the other side of the island was abandoned before the Sunken came into being. It's become a vacation destination... people come here to... gawk at this shit, now. (it's sad to jonas, now, who'd never given any thought to how off-colour making an army base into a tourist trap was.) The ghosts used to be naval officers who died in the explosion of a nuclear submarine off the coast... I don't know if you're familiar with those, but they're underwater ships carrying radioactive cargo. Uh, bombs.
(it's hard to know what his friends' worlds have experienced.)
This was... Jesus, uhâ (doing the math in his head, eyes searching the floor.) âalmost seventy-five years ago? I think. During our planet's second World War.
no subject
To gawk. [ he repeats mostly out of not being able to imagine anything else. disappointing tragedies werenât made to become entertainment pieces. erenâs arm-wing eventually fold into each other with the small of his back resting against whatever structure could prop him up.
even if what was seen and described of these ghosts, eren canât help but to ask: ]
Theyâre still stuck here. And theyâll stay stuck until theyâre freed?
no subject
it's odd, seeing her again. she's never seemed like more of a stranger than she does now, but there's still that familial connectiong that drives jonas into gritting his teeth in disappointment. they could've lived together for senior year, they could've become friends and then step-siblings the way their parents wanted. they could've made his dad happy again. now there's no hope of that.
blinking back a sting in his eyes, jonas shakes his head.)
They'll stay stuck until they find bodies to inhabit. Living humans, Eren, like me. (a pause, shoulder coming away from the wood panelling of the door.) And that's... how I died.
no subject
it takes a few moments for him to break the silence. ]
The only thing that I'm glad about, [ quietly, carefully in this little enclosure of wires and radios, ] is that you get to live again. [ there's something else that's palpable in his next words: a layered comprehension of what that felt like rather than a reach of compassion. it wasn't that— he knew the personal burn of what this was, and his voice comes with a softened break. ] I'm sorry it's not the way you wanted.
[ it's not the way he ever wanted it, either. ]